Wednesday, January 14, 2009

The Last Mughal

Written by William Dalrymple
Published in 2006

As in The White Mughals, Dalrymple revisits colonial India to uncover the complexities of the relationships between the British, Muslims and Hindus that have been masked by ideology-driven historical writings. He proves as in The White Mughals that the lines between communities and cultures were not as hard as they are imagined to be. The uprising was not as imagined a purely Mughal-Muslim affair. It was in fact started by sepoys of the British army, most of whom were Hindus, who voluntarily headed towards Delhi without any prior contact with Zafar. They felt that the Mughals were the rightful rulers and the British the usurpers. Zafar in fact was quite an unwilling participant in the rebellion as he was old and effete and had made peace with his limited power. His court was the epitome of tolerance and multiculturalism and throughout the uprising, Zafar served as a mediator between the Hindus and Muslims in Delhi and in the mutinying sepoys. Later of course, the British painted the rebellion as a Muslim conspiracy and Zafar became the scapegoat for the rebellion. Overlooked were the British missteps that led to the initial mutinies (aggressive proselytization, the pig and cow fat cartridges and so on) and also Hindu complicity in the uprising.

Overall, a very illuminating and nuanced book. It was a real pleasure to follow history not just panoramically but through the lives of individuals, both on the British and the rebels' sides. It conveyed the full human impact of the conflict – the starvation, the massacres on both sides, the wretchedness of existence, the brutality of war and revenge – all the more vividly. Quite brilliant.

After reading the book, I must confess, I have become quite a fan of Bahadur Shah Zafar. An ineffective statesman and commander he may have been, but he was nonetheless a sensitive, large-hearted, refined and secular personality, one of the few in nineteenth century India.

Monday, January 5, 2009

Slumdog Millionaire

Directed by Danny Boyle
Released in 2008

About life in the slums of Bombay. It was a good movie and had all the makings of a commercial success: a bittersweet love-story, a rags-to-riches angle, the mafia and a bit of glamour. Great that it got the word out about the slums to such a large audience but the final word on slums is still with Mira Nair's Salaam Bombay!

Revolutionary Road

Directed by Sam Mendes
Released in 2008

Honestly, I'm not really a fan of these Mad Men-type post-WW2 American period pieces. There isn't anything particularly interesting about that time: everyone was bourgeois and bigoted. Whatever.

The movie itself was alright. Leo and Kate put up a good show but the movie relied too much on its period-piece-ness for success. The plot itself was banal: suburban couple wants to break free of its unhappy middle-class existence but is too scared.

The Duchess

Directed by Saul Dibb
Released in 2008

Middling. Only worth-watching if you have a fetish for period-movies, the dresses, the manors, the dances, the luxury. The cinematography was also breathtaking. The story was slow and sinuous and even though it was well-acted and directed, in the end, I didn't feel like it was worth the two hours I spent on it. Reminded me greatly of Pakistani dramas: marriage for money, cheating husbands, unhappy wives, anger at having only daughters, the pragmatism of the parents. Yuk.

Milk

Directed by Gus Van Sant
Released in 2008

Absolutely loved it. Sean Penn was phenomenal. The movie itself was excellently directed, poignant and intelligent. It especially resonated because the gay rights movement is up against a similar obstacle with gay marriage. There were parrallels unending between the movement today and in the 70s. No wonder the movie has become a rallying point for the movement. Definitely one worth watching again.

Good as Gold

Written by Joseph Heller
Published in 1976.

Funny. It is a minor book though, when compared to Catch-22. About the Jewish experience in America and a satire of Washington, it speaks to the racism and anti-Semitism of America in the 70s. Heller's talent for absurdities and paradoxes shines in this novel too. It was probably the best thing about it.

Monday, December 15, 2008

Role Models

Directed by David Wain
Released in 2008.

Didn't like it! Didn't like it! Too predictable! Didn't enjoy the whole fantasy game aspect. Ugh! Too predictable, not funny enough. Depended too much an bawdiness and profanity. I'm the last person to object to those two things in and of themselves but you have to give me more if you want me to laugh with your movie. Saving grace: Paul Rudd of course!